MEMOIR 13
APOCALYPSE
That blessed moment finally came when I could retire from the
academic world, and feeling as though I was becoming purged of a true pollution,
I sought a haven in the mountains, but having become alienated from a new
South, and not being able to surrender Manhattan, I sought and found a
home in the Pocono Mountains. Here David Leahy has a summer home
which has become a permanent home, but otherwise I knew no one whatsoever,
so that now living apart from virtually any social world, I intended a
deeper fulfillment of my all too solitary theological vocation. My
project was a book on Godhead and the Nothing, and not Godhead and
the apophatic or purely mystical Nothing, but rather Godhead and
a purely negative or purely nihilistic Nothing, or that very Nothing which
is so deeply embodied in our world. Of course, I had been drawn to
what can be understood as a nihilistic theology from the very beginning
of my work, and had long believed that a pure nihilism is the inevitable
consequence of the death of God, a nihilism which now and for the first
time is the very arena of all genuine theological voyages, just as
it has become the arena of all our deeper imaginative and conceptual voyages.
This is indeed a common judgment in our time, I shared it with a significant
number of theologians, and I am far from being alone in being persuaded
that this is a fundamental ground of a new fundamentalism and a new conservative
or reactionary theology, one now dominating our religious and theological
worlds, just as it is also true that nihilism is an impelling force in
that new social and political conservatism which so dominates our world.
Now just as a new nihilism has been understood as an historical
consequence of the French Revolution, or even of the English Revolution,
nihilism can be understood as an inevitable consequence of all deep revolution.
It has certainly accompanied the genuine revolutions of the modern world,
and if the twentieth century is the most revolutionary age in world history,
it also can be understood and even thereby as a nihilistic era, as fully
manifest in its unique totalitarianisms, and nowhere is nihilism so decisively
manifest as it is in our counter-revolutions, so that virtually everyone
can understand Nazism as a pure nihilism. Bergman has long been my
favorite film director, and he has given us perhaps our most purely nihilistic
films, but all of our deeper films can be understood as being in some genuine
sense nihilistic, yet thereby they are inseparably related to our most
popular movies, as our pure entertainment is inevitably nihilistic in its
impact, as is fully manifest in our postmodern era, an era that it is impossible
to understand without understanding nihilism. All of us are living
in a nihilistic world, whether we are aware of it or not, and if we are
now living in the most prosperous economic era in Western history, this
is nevertheless a deeply empty and vacuous era, as depth of any kind has
seemingly vanished, thereby collapsing every real distinction between appearance
and reality, or the virtual and the real, or the public and the individual,
or the interior and the exterior, or truth and falsehood, or good and evil.
Not only is this a nihilistic condition, but it also can be understood
as an apocalyptic condition, and it cannot be denied that modern nihilism
and modern apocalypticism are truly and integrally related. Neither
has fully been manifest or real apart from the other, and just as our deepest
revolutionary thinkers have been apocalyptic thinkers, all of our genuine
modern revolutions have been manifestly and overtly apocalyptic, even including
the scientific revolution of the seventeenth century, which certainly brought
to an end an old world and inaugurated a truly and even absolutely new
world. But as Nietzsche declared, ever since Copernicus humanity
has been falling into a mysterious X, a truly new vacuity or void, one
which Nietzsche knew as a new and absolute nihilism, but nevertheless an
apocalyptic nihilism, apocalyptic in the totality of its negation of an
old world, and apocalyptic in its unveiling of the totality of a new incarnate
darkness, a darkness which alone is the site of true apocalyptic dawning,
a dawning which Nietzsche could know as the advent of Zarathustra or
of an absolutely new Eternal Recurrence. Clearly, apocalypticism
is nihilistic in the totality of its movement of negation, and clearly
nihilism is apocalyptic in its ending of an old world. All of our
nihilistic movements have been apocalyptic in a genuine sense, even including
Nazism, so that a pure nihilism can be understood as an apocalyptic nihilism,
thus raising the question of how it is possible to distinguish nihilism
and apocalypticism.
Both nihilism and apocalypticism are deeply antinomian, truly
and even absolutely assaulting all established or given law and authority,
so that conservative thinkers can responsibly know modern apocalypticism
as a modern nihilism. Hence the birth of modern nihilism can be known
as occurring in the French Revolution, a truly apocalyptic revolution,
as first unveiled by Hegel himself. Yet the very birth of modernity
is indistinguishable from the ending of the ancient and primordial movement
of eternal return. With this ending it becomes overwhelmingly manifest
and real that there is no possibility whatsoever of a return to an earlier
historical time, hence no possibility at all of returning to a pre-modern
world, and therefore no possibility of returning to a pre-nihilistic world.
Is the advent of a nihilistic world the advent of a new and absolutely
apocalyptic world, or the advent of an essential condition for the dawning
of an absolutely new apocalypse, a condition apart from which no such apocalypse
is possible? Have we now indeed truly entered that apocalypse, and
despite the darkness of our world is that world finally an apocalyptic
world, and an apocalyptic world which has already and finally dawned?
Blake, Hegel, and Nietzsche genuinely and profoundly enacted such an apocalyptic
advent, thereby renewing the apocalyptic enactments of Jesus and Paul,
but has such an enactment now become realized in our most public and common
and universal worlds?
In my judgment, D. G. Leahy is now our most profound and original
thinker, and he is a truly and purely apocalyptic thinker, not only calling
forth the totality of the novitas mundi, but purely thinking that totality
in what he continually names as the thinking now occurring for the first
time, as now thinking itself is and only can be a purely apocalyptic thinking.
Once I moved to the Poconos, I saw even more of David, and I shall never
forget his deep affirmations that the world has now actually come to an
end, and that even now we are living in an absolutely new apocalypse.
Such an affirmation is not new for a Christian thinker, one has only to
think of a Paul or a Luther, and as I had discovered this affirmation and
enactment consistently and continually occurs throughout the Christian
epic tradition from Dante through Joyce. But now this affirmation
is open for everyone, and is even enacted in our actual acts, or in those
acts which are actual in this new world. Now this situation is very
odd indeed, for nothing is seemingly more absurd or illusory than a genuine
apocalypticism. Nothing more violates common sense than an affirmation
that the world has already come to an end, yet such an affirmation truly
resonates in our world, and perhaps far more so than in any previous historical
world. It is as though it were simply a statement of what in fact is true,
or is even undeniable, or undeniable to those who are awake.
A genuine paradox is manifest in all deeply and ultimately religious
movements, and that is that the deepest depths of our religious or sacred
enactments are at bottom identical with our most common and actual enactments,
so that truly sacred language is finally a truly common language, as fully
manifest not only in the parables of Jesus but also in Zen or Chan Buddhism,
and as drawn forth so purely for us by Wittgenstein, who was surely deeply
betrayed by an analytic philosophy that could know a common language as
simply and only a common language. Perhaps film is that twentieth
century art which most openly captures this identity, and if film is that
post-primordial or post-archaic art which truly is an art for everyone,
we certainly have been given truly sacred films, but it is all too significant
that virtually all of these have vanished from the mass market, and
so far as I know no book has yet been written on this important subject.
Is our deepest religious or sacred life truly invisible to us?
Perhaps it is embodied in architecture, which is surely true in the sacred
architecture of the past, but if so it is invisible to us, although Mark
Taylor in Disfiguring has explored the sacred dimension of both modern
and postmodern architecture, yet this has had little if any effect upon
our theological understanding. Taylor and many others would now have
us believe that theological understanding itself has become anachronistic.
If so, it thereby joins all metaphysical understanding, or all deeper conceptual
understanding, or even everything that was once manifest as understanding
in all previous worlds.
This, too, is both a nihilistic and an apocalyptic condition,
but can it be understood by everyone, or by everyone to whom it is evoked,
and understood simply by becoming open to the actualities of our contemporary
world? Is it possible to understand Leahy as the Hegel of our time
and world? His language is certainly more deeply abstract than any
other contemporary language, and like Hegels his is a genuinely apocalyptic
language, and again like Hegels one truly reflecting his own historical
world. Of course, for both that world is finally the world of the
future, and of an apocalyptic future. Yet that future has already
dawned, and is even now our deepest reality, a reality that is truly universal,
and is fully manifest wherever consciousness or thinking are actual and
real. Hence this is an apocalypse that truly is known by everyone,
and even if this is a knowledge lying beyond or beneath our apparent or
manifest knowledge, it is nonetheless real, so that we truly respond to
it whenever we confront it, and then it becomes undeniably real for us.
One of the remarkable qualities about Leahy is the power of his voice,
as Ray Hart observed one can understand and respond to his speech even
when one cannot understand his writing, and as I discovered on very different
occasions Leahy can speak so as to be understood by virtually everyone,
even if almost no one can now understand his writing.
I think that there is a genuine truth is this odd phenomenon,
and that is that the deepest truth can be genuinely ultimate and openly
manifest at once, a great body of Nietzsches writing fully exhibits
this, and at no other point is he more distant from a Hegel or a Heidegger.
Both Christianity and Buddhism know their founders as having spoken such
a language, so that a truly common language is a truly deep language, and
when ultimate language is actually or fully spoken it has a truly universal
impact. Once I was frequently asked if it is possible to falsify
the proposition that God is dead, and I often responded that if it is possible
to discover a usage of the word God in contemporary discourse that is
truly positive or affirmative, then the proposition would be falsified.
This is in large measure a rhetorical game, although it can be played very
seriously in our contemporary philosophical and literary discourse, but
it was intended to draw forth the ultimacy of language, and of our contemporary
language, and each and everyone of us can respond to this. There
is a profound and final ultimacy of speech that I attempted to draw forth
in The Self-Embodiment of God, and this is one that is open to all, so
that if something cannot truly or actually be spoken, then it cannot be
real, although genuine silence can be a vehicle of speech, and when speech
does truly occur, then its impact is not only undeniable but truly universal
in its own horizon of hearing, and at bottom such speech can be heard by
everyone.
One of the truly demonic dimensions of every Gnosticism is the
chasm that it establishes between the perfect and the common, or the
elect and everyone else, and I have never encountered a genuine thinker
or artist who exhibited even a trace of such a judgment. Indeed,
this can even be employed as a pragmatic test in the academic world to
distinguish the artificial from the genuine. Blakes The Eternal
Humanity Divine and Joyces Here Comes Everybody are both witnesses
to and evocations of a universal humanity that is actuality itself, and
while this is a humanity that is absolutely other than our seemingly common
condition, it is in fact embodied in that condition, and we awaken our
actual humanity when we encounter a fully actual or a truly actual speech.
Of course, there can be demonic if not Satanic expressions of speech, but
these can never occur apart from genuine laceration, lacerations manifestly
occurring in the hearers of such speech, but the very opposite occurs in
the realization of genuine speech, and the hearing of that speech is liberation,
a liberation accompanied by true joy. The empiricist may well ask
how one can distinguish genuine laceration from genuine joy, and this may
well be impossible from any external perspective, but it is not impossible
for one who truly hears, and we all at least potentially can truly hear,
and true hearing has manifestly had a revolutionary impact upon our history.
Can we now hear an apocalyptic ending, or do we actually hear
an apocalyptic ending? But this is simultaneously to ask if
we hear an apocalyptic beginning, a beginning which is an absolute beginning,
and the absolute beginning of absolute apocalypse itself. While this
may well be a specifically or uniquely Christian question, it nevertheless
has a universal resonance in our world, and just as it is possible to understand
a uniquely modern apocalypticism as a transformation of an original Christian
apocalypticism, it may well be possible to understand a contemporary apocalypticism
as such a transformation, thus giving a contemporary ironic meaning to
the ancient Christian affirmation that the soul is naturally Christian.
Of course, Christianity became a world religion only by negating its original
apocalyptic ground, but if we can understand the ending of Christendom
as an apocalyptic ending, that ending could then be understood as the renewal
of an original apocalyptic ending, and therewith the renewal of apocalypse
itself. But can we hear apocalypse itself in our very midst?
Surely we can know the advent of a dark apocalypse in our world, and know
it as being embodied in a nihilistic world, but can we know that dark apocalypse
as a joyous apocalypse, and one promising if not embodying an absolute
transfiguration? This very question, perhaps now my primal
question, takes me back to my original initiation, an initiation into the
very body of Satan, but now a body of Satan that is manifestly a universal
body, and one emptying everything and everyone that it enacts.
If only in this perspective, it is now far easier for me to understand
my theological vocation as a surrogate for others. No doubt others
have followed it far more truly than I have, but if I am alone as a theologian
of Satan, I am also now apparently alone as an apocalyptic theologian,
even if these very vocations now have a universal import that is truly
new, perhaps now ending every other theological way, or every way that
is closed to this one. Thus in the twilight of my life, I sense
that I have been given an overwhelming gift. One might think of my
theological life as a canary in the mine, so long as there is any movement
at all the darkness is not yet total, but this is a darkness in which genuine
mining is occurring, and even if it is unheard and invisible to us, if
we can name our darkness we can remain open to that mining, and this naming
could be understood as the purest vocation of theology. Yes, the
primary calling of the theologian is to name God, and to name that God
who can actually be named by us, and if this calling has seemingly now
ended, that could be because the theologian has not yet truly named our
darkness, and thus not yet truly named God. While silence is now
the primary path of the theologian, and above all silence about God, this
is a silence which I have ever more deeply and ever more comprehensively
refused, for I am simply incapable of not naming God, and perhaps most
deeply because of that very initiation which I was given.
Is some such initiation essential to every theologian, or to
every fundamental theologian, and is this why genuine theology simply cannot
be taught academically, is now inevitably absent from our theological schools,
and likewise absent from our public or our common world? There are
those who speak of me as the last theologian, and I must confess that I
often think that I am now the only one writing theologically. Perhaps
genuine theological writing has always been a deep curse, and it certainly
is a decisive way of dissolving if not reversing all innocence, and above
all so in our world. If we understand Paul as our first theologian,
then the thorn in his flesh could well have been theology itself, and just
as I do not believe that there has ever been a genuine Christian theologian
who was not a Pauline theologian, I do not believe that it is possible
to be a theologian apart from a voyage into darkness, and if my theological
work has been such a voyage, it was truly initiated by my initiation into
Satan. My primary theological models have been those who have undergone
such an initiation, thus I understand a theological naming of God as a
naming of darkness, and if now every other naming of God has ended, our
theological calling may now be purer than it has ever previously been,
and even purer as a theological calling, a calling that can name and enact
darkness alone, but that very naming stills the darkness, and stills it
so as to make it our own.
Finally, this is a darkness in response to which we can only
say Yes, and if this is our deeper theological calling, one to which everyone
is called, my way has been one of naming that darkness as God. While
I believe that ultimately we can only say Yes to God, now that means saying
Yes to the absolute darkness or the absolute nothingness of God, and hence
saying Yes to absolute nothingness or absolute darkness itself. My
physicist friends once joked with me about how naïve all philosophers
of science are, how closed they are to the deep chaos of truly modern science,
and modern science truly has said Yes to an ultimate chaos. Thereby
it can be understood to be truly Faustian, but it embraces that absolute
No so as to transfigure it into an absolute Yes, and just as my one published
article on science is entitled Satan as the Messiah of Nature, genuine
science can be understood as a transfiguration of nature, and if only in
this sense, it can thereby be understood as a consequence of Christianity.
The Faust myth is perhaps the one truly unique modern Western myth, and
whether or not modern science truly can be understood as Faustian, truly
modern theology certainly can, and above all a uniquely modern theology,
a theology knowing and enacting an absolute No, an absolute No apart from
which there cannot possibly be an absolute Yes. Yet truly to know
that No is finally to know that Yes! Hence the way for us is inevitably
the way down, certainly this has been my own theological path, and I believe
that ultimately it is shared by us all.
My one great lament about my own work is that it did not dare
to become open to the deepest and most absolute No. This I had hoped
to rectify in my retirement, for this way demands genuine solitude, and
genuine isolation as well. My retirement has given me this, but there
is certainly every probability that I will not fully prosecute this calling,
in which case I will finally be a theological failure, and I cannot dissociate
true theological failure from damnation itself. Once again I ask
how one could be a true theologian without a genuine sense of damnation,
by this criterion I surely am a theologian, but inasmuch as I believe that
this is a universal condition, all of us finally are theologians, and theologians
precisely in thinking about our damnation. So it is that late modernity
is a truly theological age, perhaps more deeply so than any previous age,
and if thereby theology is truly disguised, that disguise is dislodged
in our darkest moments, then we do think damnation, and damnation is our
deepest theological category, our most actual theological name. Yes,
the most actual name of God for us is truly the name of Satan, each of
us knows and speaks that name, and we speak it in truly or actually naming
our darkness. Hence all of us know God, or know God insofar as we
can name our deepest darkness. Yes, the world is ultimately dark
today, a darkness inseparable from its very emptiness, but in naming that
emptiness we become open to its possible transfiguration, and the ultimate
actuality of this emptiness cannot finally be dissociated from the possibility
if not the actuality of its ultimate transfiguration.
Yes, the darkness is deepest immediately prior to any possible dawn, but then that darkness can be known as light itself, a darkness inseparable from the advent of light, so that in naming that darkness we do name the light, just as in truly naming the darkness of God we precisely thereby name an ultimate transfiguration. This has manifestly occurred in our deeper art and poetry, so that we cannot fully be open to the depths of the imagination without being open to the depths of transfiguration itself; so, too, we cannot be open to the depths of the darkness of God apart from being open to an absolute apocalypse, an absolute apocalypse which is an absolute transfiguration, and an absolute transfiguration of the depths of darkness itself. Yes, our soul is naturally Christian, but only insofar as it is naturally dark. Theologically, our task is to name that darkness, not that I have yet succeeded in truly doing this, but if old age is an age of darkness, I may yet fully become a theologian, and if now theology is impossible for the young, this may well be because theology is now inevitable for the truly old. It is often said that death is unreal for the truly young, although I have never believed this, for I have known death throughout my life, a knowledge apart from which I could never have become a theologian.
Nietzsche could know Christianity as the one absolute curse in
our history and world. Now theology itself can be known as such a
curse, and if this is true it could only thrive in our darkness, and perhaps
it is now far more universally present than we can know, I must confess
that I tend to see it everywhere, and to see it everywhere where darkness
is truly and actually present. Yet the actual presence of darkness
is truly different from any possible actual totality of darkness.
Such a totality could not possibly be named, or could be named only by
way of a total silence, so that in actually naming our darkness we are
inevitably open to its very opposite, so that we cannot truly name darkness
apart from joy. This is a joy which I have certainly known theologically,
and a joy which I spoke insofar as I could preach, and if all of my genuine
theological writing is preaching itself, I can relish an image of myself
as a Southern preacher, and perhaps I am the last truly Southern preacher,
and if only thereby the last theologian. Southern literature now
appears to be dead, or dead in its deeper expressions, so perhaps I am
already dead, and dead above all as a theologian, my theological writing
could now simply be the recoil of a recent corpse, but if so I hope that
I have died with my boots on, my theological boots, and that these boots
could be a useful artifact for future theologians, archeological witnesses
to the presence of theology in our desert, for perhaps theology is that
one curse than can never finally disappear.
Must we inevitably die as hollow men or women? Rilke could
declare that our only real fear of death is to die with unlived life in
our bodies, and perhaps our only real terror of death is to die with our
theological voyage unfulfilled or abated, and if finally there is but one
sorrow and that is not to be a saint, that is the sorrow of damnation itself,
and I shall never forget John Bunyans belief that the only certain
sign of a damned soul is a peaceful and happy death. Is our day
finally only a long days journey into the night, and is this that archetypal
story or plot which finally underlies every actual story, and does so even
in a postmodern disavowal of every master plot or key, a disavowal that
can disenact every story but this one, for our death is an absolutely inevitable
destiny, and finally death itself is the center of every theology, a death
wholly transcending any possible decentering, or any possible reversal.
Many theologians can know immortality as the deepest possible pagan belief,
as the very refusal of grace itself, but ours is a world in which immortality
can no longer actually be thought or actually imagined, and is seemingly
possible only by way of passivity or withdrawal, a withdrawal and
passivity that can be known as death itself, and even if images of death
are our most forbidden images, they are precisely thereby our most hypnotizing
and compulsive images, and those very images by which we are most immediately
awake.
If our awakening is then an awakening to death, it is our own
death which occasions such awakening, a death which is our own and not
anothers, but this death is inseparable from a theological voyage, a theological
voyage which calls each and every one of us, and does so with an irresistible
finality. While Spinoza could forswear all meditation upon death,
is that an actual possibility for us? Is meditation inevitably a
meditation upon death and precisely thereby a liberating meditation, an
enactment of death itself in our truest center, and is it only thereby
that this center is finally real? If this is our real meditation,
it is just thereby a theological meditation, and if theological meditation
for us is inevitably a meditation upon God, this could only be for us a
meditation upon the death of God, for a meditation calling forth the ultimacy
of death can only culminate in a meditation upon the death of God.
That meditation occurs in every genuine meditation upon the Crucifixion,
but the deepest meditation upon death can be understood as meditation upon
crucifixion. Here Christianity and Buddhism are truly parallel to
each other, but every deep meditation upon death is a meditation upon the
ultimacy and finality of death, and nowhere is that finality and ultimacy
more fully called forth symbolically than it is in the very symbol of crucifixion.
Now if it is only in our own time that the ultimacy and finality of death
have become truly universal, thereby dissolving every genuine image and
symbol of immortality, it is perhaps only in our time that meditation upon
the finality of death has become comprehensively universal, occurring wherever
life is actual and real.
This alone could illuminate the deep interior desert of our world,
one accompanied by a dazzling and wholly empty exteriority, but thereby
we can know our actual condition as a deep coffin. A coffin it is
true generating illusions of light, which seemingly are more pervasive
now than ever previously in our history, but their very emptiness is a
decisive sign of that coffin which is their source, and a coffin that is
called forth whenever we can actually see or speak. So it is that
theology is now inevitably a coffin theology or a theology of death, and
if the very aura of death is the most distinctive sign or mark of theology
itself, theology could be far more pervasive today than we can imagine,
and just as the ancient world did not become a fully theological world
until the classical world had ended, our world in its very death throes
may well be undergoing a full theological epiphany, and even as Hellenistic
theology is vastly distant from all ancient Greek theology, with the possible
exception of Plato, our actual theology will be vastly distant from everything
that we have known as theology, with the exception of those theologies
which are most deeply precursors of our condition. Yet if there is
one thing that Hellenistic theology could not know, with the great exception
of Augustine himself, it is a pure joy, an ultimate Yes-saying, and if
Augustine could know this joy in response to the ending of the ancient
world, perhaps we can know a pure joy in response to the ending of the
world itself.
Such a joy must be wholly distinguished from any possible Gnostic
affirmation, or from any pure dualism. Here joy could only be a total
joy, a joy embracing totality itself, and hence embracing that very world
which is coming to an end. All of our great artists have mediated
such a joy to us, and even if great art is seemingly wholly absent from
our world, this very situation could make possible a new universal joy,
a truly common joy, one which a Jesus or a Gotama could already evoke,
and one given us in our world by Blake himself, and while this is a joy
that can only be evoked in the heart of darkness, and is even made possible
by that very darkness, it is a joy wholly transcending every possible darkness.
If that is the joy to which we are finally most deeply called, it is inseparable
from the ultimate depths of darkness, and hence inseparable from an eternal
death. But if that eternal death is commonly or universally embodied
as it has never been before, so, too, an absolutely new and universal joy
could be at hand, a joy evoked by the very symbol of apocalypse, and if
ours is truly an apocalyptic age, it cannot truly be so apart from an apocalyptic
joy, so that in truly naming our apocalyptic death we thereby name apocalyptic
joy, thus a genuine theology of death is finally a theology of joy, but
a joy only known through the ultimacy and finality of death itself.